"But...I've only slept with one girl this term." (week and a half into term)
"I thought you would be interested in helping me mess up the hotel bed a bit." (drunk British guy)
"Where is the third girl?" (Montreal classic, not even addressing the girl directly)
"Dolby sound will be then top crowned / When I put the needle into your groove" (De La Soul, 1989)
on steez
Monday, September 20, 2010 0
1: "That right there, you did that with steez."
2: "Yes, but what exactly is 'steez'?"
1: "Well you see, 'steez' is a neologism originating from the melding of the words 'style' and 'ease'. Originally all was chill but then some time in the mid 1990s it was raped and repurposed by skaters to serve their own twisted ends. Motherfuckers."
3: "Uh woah...did you go to college without telling me or something?"
2: "Yes, but what exactly is 'steez'?"
1: "Well you see, 'steez' is a neologism originating from the melding of the words 'style' and 'ease'. Originally all was chill but then some time in the mid 1990s it was raped and repurposed by skaters to serve their own twisted ends. Motherfuckers."
3: "Uh woah...did you go to college without telling me or something?"

on the subject of shared living spaces with strange people
Sunday, September 19, 2010 0
Haha, oh I was just reminded of this, looking over what I'd written about roommates. I posted this as a comment elsewhere but it bears repeating because, haha, fuck, I just find it too much not to share without revealing identities of offenders.
My next-door neighbor freshman year of college used to blast 70s FM classics when she was getting it on with her boyfriend. One night another one of my neighbors and I got super stoned in the kitchen and just sat there laughing and critiquing their music whilst eating birthday cake. Whenever the song would change we'd pause from licking our fingers and turn to each other, doofy grins and bloodshot eyes for sure, and last about one second before totally losing it.
"Like, who seriously gets in the mood when they hear 'Hello it's me' in 2006?"
"Oh my god, America -- 'Horse with no name'?? No wayyyy..."
"How the hell do you 'make love' to that shit, come on!"
"I feel so mean but I can't imagine it any other way than being stiff and awful and beyond hip...ahahahah"
At one point they started blasting "Mr. Blue Sky" on a loop and we totally lost it. "For fuck's sake, ELO?! No! No! Oh god, oh god I'm dying, I can't deal with this!"
I guess they liked that one a lot because they played it ALL THE FUCKING TIME after that for the next few months. That one seems like it'd be akin to sticking your erect member in a snowbank but apparently it hit some sort of aural sweetspot because for the next two months that song would result in rhythmic creaking of dormitory beds. E L fuckin' O, that's right.
Goddamn. But here I am blasting Bryan Ferry and judging like this when I really just wish music video performances were still made just like this, lipsynching and weird props and weirder backup dancers and long shots and all. Pop music videos these days, when they happen at all, seem to be created for an audience with the approximate attention span of goldfish, with most shots exceeding not much longer than one second before cutting to the next disparate, flashy image.
But do I 'make love' to it? Hell naw.
My next-door neighbor freshman year of college used to blast 70s FM classics when she was getting it on with her boyfriend. One night another one of my neighbors and I got super stoned in the kitchen and just sat there laughing and critiquing their music whilst eating birthday cake. Whenever the song would change we'd pause from licking our fingers and turn to each other, doofy grins and bloodshot eyes for sure, and last about one second before totally losing it.
"Like, who seriously gets in the mood when they hear 'Hello it's me' in 2006?"
"Oh my god, America -- 'Horse with no name'?? No wayyyy..."
"How the hell do you 'make love' to that shit, come on!"
"I feel so mean but I can't imagine it any other way than being stiff and awful and beyond hip...ahahahah"
At one point they started blasting "Mr. Blue Sky" on a loop and we totally lost it. "For fuck's sake, ELO?! No! No! Oh god, oh god I'm dying, I can't deal with this!"
I guess they liked that one a lot because they played it ALL THE FUCKING TIME after that for the next few months. That one seems like it'd be akin to sticking your erect member in a snowbank but apparently it hit some sort of aural sweetspot because for the next two months that song would result in rhythmic creaking of dormitory beds. E L fuckin' O, that's right.
Goddamn. But here I am blasting Bryan Ferry and judging like this when I really just wish music video performances were still made just like this, lipsynching and weird props and weirder backup dancers and long shots and all. Pop music videos these days, when they happen at all, seem to be created for an audience with the approximate attention span of goldfish, with most shots exceeding not much longer than one second before cutting to the next disparate, flashy image.
But do I 'make love' to it? Hell naw.

writing for writing's sake
I was originally going to post at length here about it but I changed my mind and it was relegated to a Microsoft Word document like so many other things. I write compulsively. Actually, more accurately, I type compulsively because my handwriting is illegible to even myself unless I write really slowly but that is tedious, cramps my delicate piano fingers and I can't write as fast as I think. However I am fortunate to be able to type nearly as fast as I think. I mean I think faster sometimes but mostly typing class was actually pretty useful, torturous as it was at the time, especially when the only sentences we could type in correct form were constructed from the letters asdfghjkl and punctuation mark ;. Alas; all sad lads as fags. That sort of thing. Eventually I learned to type beyond the bounds of one line of letters and one punctuation mark on the American English keyboard and I've been filling up disk space since then with observations on anything and everything at a rate of over 100 words per minute sometimes, when I'm into the groove. I bet a lot of people do that, write in word documents or wordpad or some snazzy Mac software or Linux or Unix if they're better at computing than I am. All those thoughts poured into electronic form that go unpublished, I wonder where they go. Landfills eventually, I would presume, or the electronic equivalent of such (r.i.p. Geocities). There's so much good stuff out there (o.k. not on Geocities) so I can't get too down on everything in the world. A good deal of it is bad but what about all the secret geniuses out there whose words will make everything in you fit to burst? Goddamn, I want to know who they are! And where to find it!
But mostly I am thinking of this, a known variable in the space/time continuum who is capable of exactly that, Momus, who has the benefit of a linguistic background, a few decades, and musical talent and also used to keep a really awesome blog but writes books and makes music more frequently instead now:
But mostly I am thinking of this, a known variable in the space/time continuum who is capable of exactly that, Momus, who has the benefit of a linguistic background, a few decades, and musical talent and also used to keep a really awesome blog but writes books and makes music more frequently instead now:

Turn and face the strain!
Thursday, September 16, 2010 0
I was thinking just now, ruminating bitter like good ol' two buck Chuck Bukowski, all the things that used to matter so much more. Though I was aware I was growing and changing throughout the college years, some ideas remained steadfast in my mind and were thought "important" for the long run for whatever stupid reasons. Like, That’s it, I’m done growing, and this is how I’ll always be. Shit. I don't know about this.
The first being the Liza, Lisa, Elizabeth or whatever, the girl who was supposed to be my roommate first term freshman year of college. Roommates are a big deal when you’re going off to college, living out of the house for the first time and with some strange person who will probably suck. I was nervous as hell as to who I’d end up getting stuck with. The girl next to me got a girl who was really nice other than the fact that she had really snotty friends and a habit of frequently locking her out of the room to have sex. The guy next to me ended up with an emotionally unstable guy who had a drug-induced meltdown sophomore year. The girl across the hall had drawn a snotty private arts high school grad (rejected from Cooper Union, presumably) who wore avant garde jumpsuits and considered herself too good for everything. The girl I had was from Idaho and had a stupid email address -- something like "starfaerie1987", and the campus student life kept giving me different variants of what her name was. I got there a bit earlier and unpacked my side of the room. Waited a day, then another day and she still didn't show up. I was getting kind of worried. More time to come up with ideas about just how freaky she actually was going to turn out. My house chair (a resident adviser, basically) told me he'd put her with me because I on my housing application I’d said that I'm atheist and she described herself as a militant atheist intolerant of all religious scum and mindless sheep and well, sorry. But she didn't show up. I was relieved because I had been paranoid about sharing close quarters with a total stranger, never having any alone time, and well, she sounded kind of nuts anyway and there were more than enough of those people around on campus anyway. Plus, I was worried that she would judge me. It was fun, though, from time to time trying to picture what she would have been like. Liza, I can’t remember what her last name was anymore. Wakefield? No, that's not it, that's the boring twin from Sweet Valley Twins. (Perhaps a more relevant topic of discussion.) Maybe she was the boring twin, too? Now the whole Lisa thing, the way I first thought about it, it's just a mildly funny story amongst college friends who understand what the experience of a roommate at that place in particular is like, probably not relevant to anyone else, filler for conversation gaps if anyone mentions college roommate stories, not a topic worthy of discussion to bring up amongst people who weren't there ‘cause that part of our lives is over. God that sounds depressing, putting it like that, but it's more of a relief than anything.
Mostly I wasn't thinking too much about Eliza or whatever. Nah, my thoughts quickly jumped over to another college thing. Yeah, I still have a weird crush on him, but not head over heels infatuation like before. A scene and conversation I've revisted a few times since: This musician I'd admired from afar for years and I walking through the snow in December. Discussing realistic prospects of teaching on campus, places to go, friends, fears. It was wild to talk with someone like that. "Are you sure we haven't met before?" I've heard that one a few times. I must have doppelgangers all over the country. He was surprisingly candid in revealing his bitterness towards an old friend and musical collaborator for abandoning his roots. He pointed to the house next to mine on the corner of First Street and said, "A few years back, him and his band were up playing a show, it was supposed to happen in the student center but the power went out or something, and anyway, they ended up playing an acoustic set in the living room of that house. It was like old times. It was great." I feel like, in some ways, I've abandoned him, too. I deleted all of my albums by that band a few days ago, the back-in-the-day jangly lo-fi folk ones. I still own the physical copies, but I don’t have a stereo so most likely they'll just collect dust. What of the sweet wistful pop of the first few albums, supplanted in favor of...loud dance music and a flamboyant stage persona? I asked him, "Hey, what's up with that anyway? The dance music...and exposing himself on stage. Didn’t see that coming." He was all, "Me neither. But he'd always wanted to be more successful, you know. Repressed upbringing, and now he's got a family, a house, gotta make money somehow. I guess this is what he’d always wanted to do." He didn't sound bitter about that, though, I don't mean to cast him as a spiteful sort of person, far from it. How strange, how strange, how things between friends change. You know, when a friend out of nowhere pulls a total 180 and finally has the balls to do what they really wanted to do after all these years of knowing them. I ended up going the way of electronic hi-fi music, too.
The other thing I thought of was the part in Mount Analogue where the characters have to cast aside their old world identities (artist, inventor, etc) as they are no longer relevant guises to hide their true selves behind before they begin their goal of ascending the mystical mountain. What identity do I have to cast aside? Soon, it will be some sort of temporary occupation, most recently it's student, on campus psych major with obscure musical taste and riot grrrl dresses and craft beer and gin only, see friends bands not stupid parties. Now it's nothing but that old negative underachieving self-talk "unemployed", which isn't even an identity really as it's a negative one characterized by the absence of something, something I didn't really choose to take on myself.
Liza, Elizabeth, whoever, I ended up meeting her later. She showed up two and a half years late, with jangling facial piercings and bracelets, granny glasses, expensive bohemian wardrobe and Mary-Kate Olsen-inspired hair, and a pack a day Benson and Hedges habit. I didn't actually introduce myself, just observed like a naturalist does with an unfamiliar, possibly invasive species appearing in a new habitat. I found out who she was when another friend of mine was complaining about her, "You know, that girl with like, 4 lip piercings who reeks of smoke, Benson and Hedges – disgusting, and is always fucking asleep during class -- I think her name is Lisa or Liza ____". I made the connection and I was impressed by whatever transformation had undergone. I like to think that she spent those two and a half years in preparation, reinventing herself from "starfaerie1987" for the all important identity and image parade that is college, or more likely adolescence in general, particularly amongst those of creative leanings. Anyway, she fucked one of my friends, slept through class a lot, smoked a lot, and left halfway through the term. I guess that goes back to my original point. How I used to be. What a relief it is, that I have in fact changed, though I still tend to drag the past around with me like a ball and chain.
The first being the Liza, Lisa, Elizabeth or whatever, the girl who was supposed to be my roommate first term freshman year of college. Roommates are a big deal when you’re going off to college, living out of the house for the first time and with some strange person who will probably suck. I was nervous as hell as to who I’d end up getting stuck with. The girl next to me got a girl who was really nice other than the fact that she had really snotty friends and a habit of frequently locking her out of the room to have sex. The guy next to me ended up with an emotionally unstable guy who had a drug-induced meltdown sophomore year. The girl across the hall had drawn a snotty private arts high school grad (rejected from Cooper Union, presumably) who wore avant garde jumpsuits and considered herself too good for everything. The girl I had was from Idaho and had a stupid email address -- something like "starfaerie1987", and the campus student life kept giving me different variants of what her name was. I got there a bit earlier and unpacked my side of the room. Waited a day, then another day and she still didn't show up. I was getting kind of worried. More time to come up with ideas about just how freaky she actually was going to turn out. My house chair (a resident adviser, basically) told me he'd put her with me because I on my housing application I’d said that I'm atheist and she described herself as a militant atheist intolerant of all religious scum and mindless sheep and well, sorry. But she didn't show up. I was relieved because I had been paranoid about sharing close quarters with a total stranger, never having any alone time, and well, she sounded kind of nuts anyway and there were more than enough of those people around on campus anyway. Plus, I was worried that she would judge me. It was fun, though, from time to time trying to picture what she would have been like. Liza, I can’t remember what her last name was anymore. Wakefield? No, that's not it, that's the boring twin from Sweet Valley Twins. (Perhaps a more relevant topic of discussion.) Maybe she was the boring twin, too? Now the whole Lisa thing, the way I first thought about it, it's just a mildly funny story amongst college friends who understand what the experience of a roommate at that place in particular is like, probably not relevant to anyone else, filler for conversation gaps if anyone mentions college roommate stories, not a topic worthy of discussion to bring up amongst people who weren't there ‘cause that part of our lives is over. God that sounds depressing, putting it like that, but it's more of a relief than anything.
Mostly I wasn't thinking too much about Eliza or whatever. Nah, my thoughts quickly jumped over to another college thing. Yeah, I still have a weird crush on him, but not head over heels infatuation like before. A scene and conversation I've revisted a few times since: This musician I'd admired from afar for years and I walking through the snow in December. Discussing realistic prospects of teaching on campus, places to go, friends, fears. It was wild to talk with someone like that. "Are you sure we haven't met before?" I've heard that one a few times. I must have doppelgangers all over the country. He was surprisingly candid in revealing his bitterness towards an old friend and musical collaborator for abandoning his roots. He pointed to the house next to mine on the corner of First Street and said, "A few years back, him and his band were up playing a show, it was supposed to happen in the student center but the power went out or something, and anyway, they ended up playing an acoustic set in the living room of that house. It was like old times. It was great." I feel like, in some ways, I've abandoned him, too. I deleted all of my albums by that band a few days ago, the back-in-the-day jangly lo-fi folk ones. I still own the physical copies, but I don’t have a stereo so most likely they'll just collect dust. What of the sweet wistful pop of the first few albums, supplanted in favor of...loud dance music and a flamboyant stage persona? I asked him, "Hey, what's up with that anyway? The dance music...and exposing himself on stage. Didn’t see that coming." He was all, "Me neither. But he'd always wanted to be more successful, you know. Repressed upbringing, and now he's got a family, a house, gotta make money somehow. I guess this is what he’d always wanted to do." He didn't sound bitter about that, though, I don't mean to cast him as a spiteful sort of person, far from it. How strange, how strange, how things between friends change. You know, when a friend out of nowhere pulls a total 180 and finally has the balls to do what they really wanted to do after all these years of knowing them. I ended up going the way of electronic hi-fi music, too.
The other thing I thought of was the part in Mount Analogue where the characters have to cast aside their old world identities (artist, inventor, etc) as they are no longer relevant guises to hide their true selves behind before they begin their goal of ascending the mystical mountain. What identity do I have to cast aside? Soon, it will be some sort of temporary occupation, most recently it's student, on campus psych major with obscure musical taste and riot grrrl dresses and craft beer and gin only, see friends bands not stupid parties. Now it's nothing but that old negative underachieving self-talk "unemployed", which isn't even an identity really as it's a negative one characterized by the absence of something, something I didn't really choose to take on myself.
Liza, Elizabeth, whoever, I ended up meeting her later. She showed up two and a half years late, with jangling facial piercings and bracelets, granny glasses, expensive bohemian wardrobe and Mary-Kate Olsen-inspired hair, and a pack a day Benson and Hedges habit. I didn't actually introduce myself, just observed like a naturalist does with an unfamiliar, possibly invasive species appearing in a new habitat. I found out who she was when another friend of mine was complaining about her, "You know, that girl with like, 4 lip piercings who reeks of smoke, Benson and Hedges – disgusting, and is always fucking asleep during class -- I think her name is Lisa or Liza ____". I made the connection and I was impressed by whatever transformation had undergone. I like to think that she spent those two and a half years in preparation, reinventing herself from "starfaerie1987" for the all important identity and image parade that is college, or more likely adolescence in general, particularly amongst those of creative leanings. Anyway, she fucked one of my friends, slept through class a lot, smoked a lot, and left halfway through the term. I guess that goes back to my original point. How I used to be. What a relief it is, that I have in fact changed, though I still tend to drag the past around with me like a ball and chain.

Things I usually look at
- Abracadabra Department
- Al Burian
- Ask Andy
- Dungeon Smashing Empire
- Filleosophy
- Hel-Looks
- I don't really like cats but I love Cat Party
- Jersey Flesh Timetrack
- Mary Virginia Carmack-Rilke
- Momus
- Nothing is New
- Sister Wolf
- socialghost
- Something Home Something
- Systems of Romance
- The Eyes They See
- The Full Nilson
- The Killing Moon
- Ty Melgren
- Ubu Web
- Wandering Grioette
- We Were Warriors
- WFMU's Beware of the Blog